Differences

This shows you the differences between two versions of the page.

--- staff:vatolkin [2022-08-13 18:04]
igor.vatolkin [Teaching]
+++ staff:vatolkin [2024-02-04 09:26] (current)
igor.vatolkin [Recent News]
@@ Line 20: / Line 20: @@
 /*{{:staff:bullet_gross.gif|}} [Please visit <html><a href="http://www.sig-ma.de">SIGMA website</a></html> and my <html><a href="https://plus.google.com/101367550041756483163/">Google+ site</a></html> for further news]\\*/
+<html><font color=#a215ee></font><b>From 08.2023, I am Akamedischer Rat at <a href=https://www.rwth-aachen.de>RWTH Aachen University</a>, <a href=https://www.aim.rwth-aachen.de>Chair for AI Methodology; however, this news page will still be updated from time to time</a></b></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>02.2024</font> <font color=#ee1528><b>[Call]</b></font> Call for papers for <a href=https://transactions.ismir.net/announcements#tismir-special-collection---call-for-papers>TISMIR Special Collection on  Multi-Modal Music Information Retrieval</a>: the deadline is on 01.08.2024</html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>02.2024</font> <font color=#a215ee><b>[SIGMA]</b></font> The program of SIGMA #56 on 15.02 is <a href=https://sig-ma.de/2024/1187>online</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>06.2023</font> <font color=#a215ee><b>[SIGMA]</b></font> The program of SIGMA #55 on 16.06 is <a href=http://sig-ma.de/2023/1157>online</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>03.2023</font> <font color=#3346ff><b>[Publication]</b></font> F. Ostermann, I. Vatolkin, and M. Ebeling: AAM: A Dataset of Artificial Audio Multitracks for Diverse Music Information Retrieval Tasks is accepted for <a href="https://asmp-eurasipjournals.springeropen.com">EURASIP Journal on Audio, Speech, and Music Processing</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2023</font> <font color=#3346ff><b>[Publication]</b></font> L. Fricke, I. Vatolkin, and F. Ostermann: Application of Neural Architecture Search to Instrument Recognition in Polyphonic Audio is accepted for <a href="https://www.evostar.org/2023/evomusart">EvoMUSART 2023</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2023</font> <font color=#3346ff><b>[Publication]</b></font> I. Vatolkin, M. Gotham, N. Nápoles López, and F. Ostermann: Musical Genre Recognition based on Deep Descriptors of Harmony, Instrumentation, and Segments is accepted for <a href="https://www.evostar.org/2023/evomusart">EvoMUSART 2023</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2023</font> <font color=#68120b><b>[Teaching]</b></font> Software project <a href="https://ls11-www.cs.tu-dortmund.de/teaching/minf_ss23">Music Informatics</a> will take place in summer term 2023</html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2023</font> <font color=#a215ee><b>[SIGMA]</b></font> The program of SIGMA #54 on 16.01 is <a href=http://sig-ma.de/2023/1132>online</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>11.2022</font> <font color=#ee1528><b>[Call]</b></font> Call for papers for <a href=https://gecco-2023.sigevo.org/Tracks#RWA%20-%20Real%20World%20Applications>Real World Applications track (including creative arts, design, games, and music) at GECCO 2023</a>: the abstract deadline is on 03.02.2023</html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>09.2022</font> <font color=#68120b><b>[Teaching]</b></font> An interdisciplinary lecture <a href="https://ls11-www.cs.tu-dortmund.de/people/rudolph/teaching/lectures/MDA/WS2022-23/lecture.jsp">"Music data analysis"</a> takes place in winter term 2022/23</html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>08.2022</font> <font color=#ee1528><b>[Call]</b></font> Call for papers for <a href=https://www.evostar.org/2023/evomusart/>EvoMUSART 2023</a>: the deadline is on 01.11.2022</html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>08.2022</font> <font color=#3346ff><b>[Publication]</b></font> L. Fricke, J. Kuzmic, I. Vatolkin: Suppression of Background Noise in Speech Signals with Artificial Neural Networks, Exemplarily Applied to Keyboard Sounds is accepted for <a href="https://ncta.scitevents.org/">NCTA 2022</a></html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>07.2022</font> <font color=#3346ff><b>[Publication]</b></font> I. Vatolkin, C. McKay: Stability of Symbolic Feature Group Importance in the Context of Multi-Modal Music Classification is accepted for <a href="https://ismir2022.ismir.net">ISMIR 2022</a></html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>07.2022</font> <font color=#3346ff><b>[Publication]</b></font> F. Ostermann, I. Vatolkin, G. Rudolph: Artificial Music Producer: Filtering Music Compositions by Artificial Taste is accepted for <a href="https://2022.aimusiccreativity.org/">AIMC 2022</a></html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>07.2022</font> <font color=#68120b><b>[Teaching]</b></font> Proseminars <a href="https://ls11-www.cs.tu-dortmund.de/teaching/ahma_ws22">Current challenges in music data analysis</a> and <a href="https://ls11-www.cs.tu-dortmund.de/teaching/cig_ws22">Computational Intelligence in games</a> will take place in winter term 2022/23</html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>06.2022</font> <font color=#a215ee><b>[SIGMA]</b></font> The program of SIGMA #53 on 30.06 is <a href=http://sig-ma.de/2022/1109>online</a></html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>03.2022</font> <font color=#3346ff><b>[Publication]</b></font> I. Vatolkin: Identification of the Most Relevant Zygonic Statistics and Semantic Audio Features for Genre Recognition accepted for <a href="https://icmc2022.org/">ICMC 2022</a></html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>03.2022</font> <font color=#a215ee><b>[SIGMA]</b></font> The program of SIGMA #52 on 31.03 is <a href=http://sig-ma.de/2022/1098>online</a></html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2022</font> <font color=#3346ff><b>[Publication]</b></font> I. Vatolkin, C. McKay: <a href=https://transactions.ismir.net/articles/10.5334/tismir.67/>Multi-Objective Investigation of Six Feature Source Types for Multi-Modal Music Classification</a> published in <a href=https://transactions.ismir.net/>Transactions of the International Society for Music Information Retrieval</a></html>\\
 [see also [[https://ls11-www.cs.tu-dortmund.de/staff/vatolkin#past_news|the past news]]]\\
 ===== Recent Publications =====
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>03.2023</font> <html><b><font color=#ee1528>[j9]</font></b> <i>F. Ostermann, I. Vatolkin, and M. Ebeling</i>:<b> AAM: A Dataset of Artificial Audio Multitracks for Diverse Music Information Retrieval Tasks</b>. Accepted for EURASIP Journal on Audio, Speech, and Music Processing</html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2023</font> <html><b><font color=#3346ff>[c43]</font></b></font> <i>L. Fricke, I. Vatolkin, and F. Ostermann</i>:<b> Application of Neural Architecture Search to Instrument Recognition in Polyphonic Audio</b> is accepted for <a href="https://www.evostar.org/2023/evomusart">EvoMUSART 2023</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2023</font> <html><b><font color=#3346ff>[c42]</font></b></font> <i>I. Vatolkin, M. Gotham, N. Nápoles López, and F. Ostermann</i>:<b> Musical Genre Recognition based on Deep Descriptors of Harmony, Instrumentation, and Segments</b> is accepted for <a href="https://www.evostar.org/2023/evomusart">EvoMUSART 2023</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>08.2022</font> <html><b><font color=#3346ff>[c41]</font></b></font> <i>L. Fricke, J. Kuzmic, I. Vatolkin</i>:<b> Suppression of Background Noise in Speech Signals with Artificial Neural Networks, Exemplarily Applied to Keyboard Sounds</b> is accepted for <a href="https://ncta.scitevents.org/">NCTA 2022</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>07.2022</font> <html><b><font color=#3346ff>[c40]</font></b></font> <i>I. Vatolkin, C. McKay</i>:<b> Stability of Symbolic Feature Group Importance in the Context of Multi-Modal Music Classification</b> is accepted for <a href="https://ismir2022.ismir.net">ISMIR 2022</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>07.2022</font> <html><b><font color=#3346ff>[c39]</font></b></font> <i>F. Ostermann, I. Vatolkin, G. Rudolph</i>:<b> Artificial Music Producer: Filtering Music Compositions by Artificial Taste</b> is accepted for <a href="https://2022.aimusiccreativity.org/">AIMC 2022</a></html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>03.2022</font> <html><b><font color=#3346ff>[c38]</font></b> <i> I. Vatolkin</i>:<b> Identification of the Most Relevant Zygonic Statistics and Semantic Audio Features for Genre Recognition</b>. Accepted for Proceedings of the International Computer Music Conference 2022 (ICMC)</html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2022</font> <html><b><font color=#ee1528>[j8]</font></b> <i> I. Vatolkin, C. McKay</i>:<b> Multi-Objective Investigation of Six Feature Source Types for Multi-Modal Music Classification</b>. Transactions of the International Society for Music Information Retrieval, 5(1):1-19</html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>11.2021</font> <html><b><font color=#ee1528>[j7]</font></b> <i>F. Ostermann, I. Vatolkin, G. Rudolph</i>:<b> Evaluating Creativity in Automatic Reactive Accompaniment of Jazz Improvisation</b>. Transactions of the International Society for Music Information Retrieval, 4(1):210-222</html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>11.2021</font> <html><b><font color=#ee1528>[j6]</font></b> <i>B. Wilkes, I. Vatolkin, and H. Müller</i>:<b> Statistical and Visual Analysis of Audio,
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>11.2021</font> <html><b><font color=#ee1528>[j6]</font></b> <i>B. Wilkes, I. Vatolkin, and H. Müller</i>:<b> Statistical and Visual Analysis of Audio, Text, and Image Features for Multi-Modal Music Genre Recognition</b>. Entropy, 23(11)</html>\\
-Text, and Image Features for Multi-Modal Music Genre Recognition</b>. Entropy, 23(11)</html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>11.2021</font> <html><b><font color=#3346ff>[c37]</font></b> <i> I. Vatolkin</i>:<b> Improving Interpretable Genre Recognition with Audio Feature Statistics Based on Zygonic Theory</b>. Proceedings of the 2nd Nordic Sound and Computing Conference (NordicSMC)</html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>07.2021</font> <html><b><font color=#3346ff>[c36]</font></b> <i> I. Vatolkin, P. Ginsel, and G. Rudolph</i>:<b> Advancements in the Music Information Retrieval Framework AMUSE over the Last Decade</b>. Proceedings of the 44th International ACM SIGIR Conference on Research and Development in Information Retrieval (SIGIR)</html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>07.2021</font> <html><b><font color=#3346ff>[c35]</font></b> <i> I. Vatolkin, F. Ostermann, and M. Müller</i>:<b> An Evolutionary Multi-Objective Feature Selection Approach for Detecting Music Segment Boundaries of Specific Types</b>. Proceedings of the Genetic and Evolutionary Computation Conference (GECCO)</html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>04.2021</font> <html><b><font color=#3346ff>[c34]</font></b> <i> I. Vatolkin, B. Adrian, and J. Kuzmic</i>:<b> A Fusion of Deep and Shallow Learning to Predict Genres Based on Instrument and Timbre Features</b>. Proceedings of the 10th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART)</html>\\
 [see also [[staff/vatolkin/Publications|the complete publication list]]]\\
 ===== Teaching =====
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>Summer 2023</font> <font color=#68120b><b>[Fachprojekt]</b></font> Music Informatics </html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>Winter 2021/2022</font> <font color=#3346ff><b>[Proseminar]</b></font> <a href=https://ls11-www.cs.tu-dortmund.de/teaching/ahma_ws22>Current Challenges in Music Data Analysis</a></html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>Winter 2021/2022</font> <font color=#3346ff><b>[Proseminar]</b></font> <a href=https://ls11-www.cs.tu-dortmund.de/teaching/cig_ws22>Computational Intelligence in Games</a></html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>Summer 2022</font> <font color=#68120b><b>[Fachprojekt]</b></font> Music Informatics </html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#767272>Summer 2022</font> <font color=#68120b><b>[Fachprojekt]</b></font> Music Informatics </html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>Summer 2022</font> <font color=#3346ff><b>[Proseminar]</b></font> Computational Intelligence in Games </html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#767272>Summer 2022</font> <font color=#3346ff><b>[Proseminar]</b></font> Computational Intelligence in Games </html>\\
-{{:staff:bullet_gross.gif|}} <html><font color=#996600>Winter 2021/2022</font> <font color=#68120b><b>[Proseminar]</b></font> <a href=https://ls11-www.cs.tu-dortmund.de/teaching/ahma_ws21>Actual Challenges in Music Data Analysis</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#767272>Winter 2021/2022</font> <font color=#3346ff><b>[Proseminar]</b></font> <a href=https://ls11-www.cs.tu-dortmund.de/teaching/ahma_ws21>Actual Challenges in Music Data Analysis</a></html>\\
-{{:staff:bullet_gross.gif|}} <html><font color= #767272>Summer 2021</font> <font color=#68120b><b>[Fachprojekt]</b></font> <a href=https://ls11-www.cs.tu-dortmund.de/teaching/minf_ss21>Music Informatics</a></html>\\
 [see also [[staff/vatolkin/TeachingSeminars|the complete course list]]]\\
 [if you are interested in bachelor or master thesis, please contact me per email!]\\
@@ Line 56: / Line 64: @@
 ===== Past News =====
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>07.2022</font> <font color=#68120b><b>[Teaching]</b></font> Proseminars <a href="https://ls11-www.cs.tu-dortmund.de/teaching/ahma_ws22">Current challenges in music data analysis</a> and <a href="https://ls11-www.cs.tu-dortmund.de/teaching/cig_ws22">Computational Intelligence in games</a> will take place in winter term 2022/23</html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>06.2022</font> <font color=#a215ee><b>[SIGMA]</b></font> The program of SIGMA #53 on 30.06 is <a href=http://sig-ma.de/2022/1109>online</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>03.2022</font> <font color=#3346ff><b>[Publication]</b></font> I. Vatolkin: Identification of the Most Relevant Zygonic Statistics and Semantic Audio Features for Genre Recognition accepted for <a href="https://icmc2022.org/">ICMC 2022</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>03.2022</font> <font color=#a215ee><b>[SIGMA]</b></font> The program of SIGMA #52 on 31.03 is <a href=http://sig-ma.de/2022/1098>online</a></html>\\
+{{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2022</font> <font color=#3346ff><b>[Publication]</b></font> I. Vatolkin, C. McKay: <a href=https://transactions.ismir.net/articles/10.5334/tismir.67/>Multi-Objective Investigation of Six Feature Source Types for Multi-Modal Music Classification</a> published in <a href=https://transactions.ismir.net/>Transactions of the International Society for Music Information Retrieval</a></html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>01.2022</font> <font color=#a215ee><b>[SIGMA]</b></font> The program of SIGMA #51 on 10.01 is <a href=http://sig-ma.de/2022/1081>online</a></html>\\
 {{:staff:bullet_gross.gif|}} <html><font color=#996600>12.2021</font> <font color=#3346ff><b>[Publication]</b></font> F. Ostermann, I. Vatolkin, G. Rudolph: <a href=https://transactions.ismir.net/articles/10.5334/tismir.90/>Evaluating Creativity in Automatic Reactive Accompaniment of Jazz Improvisation</a> published in <a href=https://transactions.ismir.net/>Transactions of the International Society for Music Information Retrieval</a></html>\\

Chair 11

Teaching

Research Groups

Differences